Fritz Myers

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Sushi Girl

Posted July 23rd, 2011 in
  • Music
  • Destin Pfaff
  • Kern Saxton
  • Mark Hamill
  • Music for film
  • Noah Hathaway
  • Revenge is a dish best served cold
  • Tony Todd

Last Supper

 

I've been away from this site for a few months now thanks to a supremely busy spring and summer.  First, Vacation! had it's NYC theatrical deubut with some pretty stellar reviews from the Villiage Voice and the New York Times.  Congrats to Zach and everyone involved with the film!  If you still haven't heard the soundtrack it's available here.

Following Vacation! I was busy assisting my employer with logistics and press for his opera, which I had the pleasure of seeing during a quick trip to London in June.

Since then I've been working on Sushi Girl.  Directed by my good friend Kern Saxton and featuring a veritible who's-who of cult film icons.  This heist film is full of incredible performances, homages to 70's grindhouse, and sharp dialogue.    I'm writing furiously in hopes we'll have score and sound mix wrapped by the end of august.  In the mean time check out the trailer, premiered at this year's San Diego ComiCon, and this interview with Mark Hamill and Noah Hathaway.

Sex on Sunday and other Adventures

Posted April 22nd, 2011 in
  • Music
  • BE Company
  • Chisa Hutchinson
  • Music for Theater
  • New York
  • Theatrical
  • Vacation!

 

Sex on Sunday Poster

In February I was approached by an old friend to write incidental music for the BE Company's production of Chisa Hutchinson's Sex on Sunday.  I happily agreed without giving much thought to the fact I'd never written incidental music for the theater.  It was quickly apparent this process bears very little resemblance to writing music for films.  Thankfully, I was sheparded through the process by the lovely cast and crew who were understanding and sympathetic when I returned blank stares to pointed questions.

I was very lucky to have the talented Josh Deutsch and Andrew Kozar playing trumpet on these tracks.  Here is some of their handywork:

 

Act 1 Scene 4 - 5 

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Act 2 Opening

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In other news, we just recieved confirmation from Rerun Gastropub Theater in DUMBO that Vacation! will be making it's New York premiere in a one week theatrical run May 13 - 19.  You can get tickets here.  This also means the soundtrack will be available in the next week or two, so check back soon for a link to download!

 

A Week or Maybe More Available Now!

Posted November 29th, 2010 in
  • Music
  • A Week or Maybe More
  • EP
  • Pop
  • Semi-Folk
  • Singer/Songwriter

A Week or Maybe More

 

I'm happy to announce my EP A Week or Maybe More is available now!  After a year and a half of recording, mixing, and revising I'm very happy with the record.  Special thanks go to Arun Srinivasan who played drums and Bryan Senti who contributed piano on Villains and violin on Heroes.  Thanks are also in order for Kern Saxton who created the album art work.

 

In the 'Wood Teasers

Posted August 10th, 2010 in
  • Music
  • BE Company
  • Clare Drobot
  • Ethan Matthews
  • In the 'Wood
  • J. Holtham
  • Music for the smallest screen
  • Scott Keating
  • Webisode

The folks over at the BE Company are gearing up to shoot the first season of In the 'Wood, a show about "gentrification, identification, and beer."  You can get a feel for the show and main characters by viewing the teasers at their website.  I composed the tag for these little gems.  Here's my favorite:

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From the Reject Pile: Vacation! Edition

Posted May 25th, 2010 in
  • Music
  • Demos
  • From the Reject Pile
  • Music for film
  • Vacation!
  • Zack Clark

 

I just delivered the last cue for Zach Clark's new film Vacation!. It was really fun to work on, I can't wait to see it, and you should go see it when it screens near you.  If you haven't seen Zach's last film, Modern Love is Automatic, go watch the trailer. 

This is the first demo for the film.  Each instrument entrance is the beginning of a sub-section of the two minute scene.  The instruments chosen were first flirtations with assigning a sound to each character, each of which turned out to be all wrong.  But this is why I love demos:  They offer a chance to fall irrationally in love with a thought and then abandon all but one element.

 

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Sonically, this was the starting point to head in a completely different direction.  All of the instruments started sounding too simply musical, so I selected some new ones that felt more like sounds than instruments and built one and two note fragments into phrases and then phrases into samples and samples into cues.  I wish the xylophone and bass clarinet had survived.  As much fun as everyone seems to be having with cross-genre classical music recently celeste, harp, and strings seem to be having all the fun.  Next time.

It's worth mentioning the aforementioned element that survived this round of demos is stasis.  Anticipation without resolution ended up playing a major role in the overall feel of the music.  Look for a download of the finished soundtrack in late June January - or really just before the US premiere, which is ostensibly in January.  I'll keep you posted.

 

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And Then There Were None

Posted May 4th, 2010 in
  • Music
  • A Week or Maybe More
  • EP
  • Mixing
  • Songs
  • Songwriting

And then there were none.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I'm happy to announce my EP, A Week or Maybe More, is finished!  The process was slowed down a bit by my relocation from L.A. to NYC, and the fact New York doesn't have the same whisper-quiet apartments LA offers, and a couple film projects I worked on, but I'm really happy with the outcome.

Right now  I'm working with a friend on artwork and figuring out how distribution will be handled and with any luck, it will be ready for mass consumption soon!

Stay tuned.

 

Fight Three from Bout That Bout, with Underscoring

Posted February 9th, 2010 in
  • Music
  • Bout That Bout
  • Documentary
  • Fritz Myers
  • Music
  • Music for film
  • Nico Sabenorio
  • Soundtrack

Bout That Bout premiered  at the 2010 Slamdance Film Festival and won Special Jury Mention for a Documentary Short.  Next stop is the GASPARILLA INTERNATIONAL FILM FESTIVAL about fifteen miles from Seffner, FL where the film was shot.

This is fight three from the film with temp picture and underscoring - the way I saw the film until yesterday when the screeners arrived.   The final picture looks amazing.  I also have to send a great big Thank You! to my friend Chris Salmassy over at Post Haste Sound who did a great, great job creating the final mix.  Rumor has it there may (will?) be a screening in NYC in the coming months.

 

'Bout That Bout Soundtrack Available for Download!

Posted January 21st, 2010 in
  • Music
  • 'Bout That Bout
  • Download
  • Music Composed by Fritz Myers
  • Music for film
  • Soundtrack

Download the Bout That Bout Soundtrack here. 

 

Tracks:

1.  Main Titles (Sefner)

2.  Our Own Fight Club

3.  Of Course I Worry

4.  Fight Day

5.  Just Another Thing

6.  Like Family

7.  Tim

8.  Mango

9.  Ultimately Disband

10.  Violence in Everything

11.  End Credits


And don't forget:  'Bout that Bout is premiering at Slam Dance on January 23rd with an encore screening January 26th.

Horns for Tell Me

Posted December 12th, 2009 in
  • Music
  • EP
  • Horns
  • Music
  • Songwriting
  • Tell Me

 

So I've been working on this EP for a while.  It's completion has been delayed by a cross-country move and having to figure out how to record in my new apartment in Brooklyn.

Once upon a time I shared a lovely house with two good friends that had a great sounding living room.

 

Sigh.  It's not just the weather I miss in LA. 

This is a little sample of Tell Me - just the horns recorded in my living room.  It was incredibly fun to hear lines I had in my head for some months finally come to life in the hands of the fantastic Joe Bad and two of his compatriots.  Now I just need to finish the vocals.

 

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Scene 38, Death Valley

Posted June 22nd, 2009 in
  • Music
  • Death Valley
  • Kern Saxton
  • Music for film
  • Sound Design

 

I collaborated with Kern Saxton on this scene in hopes of luring investors.  

We discussed the music on and off for a while.  He was interested in a fully-orchestrated electronic score ala Brad Fiedel's score for Terminator.  I had some ideas of my own, so I did a demo that had an acoustic, gritty vibe.  Kern liked it, but asked for a demo that conformed more to the Terminator aesthetic.  Four demos later, I revised my original idea and we had ourselves a scene.

The sound design has lots of fun elements.  This scene lives and dies on production tricks.  The violence is essentially well-edited footage that makes it feel real.  The sound design takes the same tact.  Looking at the raw footage, you lose any sense of foreboding or tension.  My goal was to make sure attention was drawn to the more frightening aspects of the scene:  the razorblades, slingshot, the impacts etc.

I'm looking forward to finishing the rest of the film.

 

 

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